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无声的言说——论接受美学视角下的品特式沉默 被引量:2

Silence in Harold Pinter's Plays in the Perspective of Aesthetics of Reception
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摘要 品特戏剧中的沉默是品特式语言的主要特征之一,从接受美学的视角看,它们起到了空白或是不确定性的作用,形成了召唤结构,在引发了读者的阅读兴趣的同时,有助于荒诞性的生成,并促进了荒诞与现实的交融,再现了人类自身的终极真实。 Silence is one of the major characteristics in Pinter's plays. It functions as uncertainty. It is a response-inviting structure,which not only stimulates the reader'interest,promotes absurdity,but also connects both absurdity and reality and shows the reality of humankind.
作者 刘明录
出处 《国外文学》 CSSCI 北大核心 2015年第1期81-88,158-159,共8页 Foreign Literatures
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  • 1Horace Engdahl, "Prize Motivation of the Nobel Prize in Literature 2005", http: //www. haroldpinter. Org.
  • 2Margaret Drabble, The Oxford Companion to English Litera- ture (Oxford: Oxford Publish House, 1993), p. 767.
  • 3Martin Esslin, Pinter, the Playwright ( London : Methuen, 1982), p. 261.
  • 4Peter Hall, " Directing the Plays of Harold Pinter", The Cambridge Companion to Harold Pinter. ed. Peter Raby (Cambridge: Cambridge University Press, 2001), p. 147.
  • 5Richard Allan Cave, " Body Language in Pinter' s Plays", The Cambridge Companion to Harold Pinter, ed. Peter Raby (Cambridge: Cambridge University Press, 2001 ) , p. 113.
  • 6萧萍:《折光的汇合:暖昧与胁迫性生存-论品特戏剧作品》,上海戏剧学院2005年版,70页.
  • 7方维规.文学解释学是一门复杂的艺术——接受美学原理及其来龙去脉[J].社会科学研究,2012(2):109-137. 被引量:54
  • 8Wolfgang Iser, The Act of Reading: A Theo- ry of Aesthetic Response (London: The Johns Hopkins Press, 1978), p. 10, p. 2, p. 182, p. 184, p. 186, p. 111, p. 3, p. 93.
  • 9Har- old Pintar, "Writing for the Theatre", Harold Pinter: Various Voices, Prose, Poetry, Politics ( London: Faber and Faber, 1998), 19页.
  • 10Harold Pinter, " Mountain Language", " One for the Road", Harold Piater: Plays Four (London: Faber and Faber, 1993).

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