“流水句式”中的主体对抗与超越性结构——以李白《春夜宴丛弟桃花园序》为例

The Structure of Antagonism and Transcendence in Stream Sentence Based on Li Bai's Prose Entertaining Cousins in Spring Evening at Peach Garden

李白的《春夜宴丛弟桃花园序》在外部形式上体现为"流水句式",与"参透时空的短暂易逝——涌发浮生若梦之叹——学习古人秉烛为欢"的显性意脉也水乳交融。但是,在这流水句式的背后,还潜蕴了主体与先贤,主体与流俗,主体与自我的对抗与超越性结构。因为有了这种超越性的生命在场,文中所呈现的浮生若梦思想,以及月夜宴饮的感性狂欢,便悄然转向了"与世俗浪游有别"的"幽怀逸趣",同时也使文本于无声处达到了形下与形上的谐和。

As for form, it appears the characteristics of stream sentence in Li Bai＇ s prose, Entertaining Cousins in Spring Eve- ning at Peach Garden. The characteristics also blend with the meaning thread of the text： from understanding time temporary and perishable to lament life passing like a dream to hold a candle for a night excursion like an ancient person. Behind the stream sen- tence, however, there is a structure of antagonism and transcendence about author and famous ancestors, author and prevalent cus- toms, author and himself. As of the presence of transcendent life, the thoughts of life as a dream, and the moonlight carnival quietly become a kind of elegant taste. At the same time, it also makes the text harmonious between metaphysics and physical one.