论高鸿小说中的女性形象及其悲剧成因——以《农民父亲》和《血色高原》为中心

The Artistic Images of Females and the Roots of Their Tragedies in Gao Hong's Novels——with The Farmer Father and Bloody Plateau as the Case Studies

陕北籍作家高鸿以其对农村质朴纯真的情感传递出对于社会底层小人物尤其是女性形象的深刻理解,真实地再现了中国农村社会中下层群体的生存状态。从《农民父亲》再到《血色高原》,女性艺术形象逐渐由边缘被支配的角色变为自强自立的中心人物,这一变化蕴藏着作者对于下层农村女性悲剧命运的深切关注与同情。

Gao Hong, a writer from Northern Shaanxi, based on his sincere feelings to the countryside, shows his deep under- standing to people from the bottom of the society, especially females. And thus he vividly reproduces the life of the middle and lower classes of Chinese countryside. From The Farmer Father to Bloody Plateau, the ＇artistic female images turn from the dominated to the independent. Such a change reflects the writer＇ s care and sympathy to the lower class females in the countryside.