“带过曲”新论

New Conception of “Daiguo Qu”

自任中敏先生提出"带过曲"概念以来,曲学界大多着眼于元代而对带过曲的成因作了广泛的研究。本文试从元明清三代的通观视角,对带过曲的成因与特征作进一步的探讨。带过曲的构成有五个条件,其中最紧要的是"曲调间衔接紧密美听、起收圆满",否则,所产生的带过曲都不可能有生命力。纵观元明清三代之带过曲,明代才是带过曲的创新发展阶段。

In the academic circle of dramatic songs study,＂daiguo qu＂has been explored extensively from the angle of Yuan Dynasty ever since this concept was proposed by Mr. Ren Zhongmin. This paper attempts to carry out a further investigation on its cause of formation and features from a joint angle of the Yuan,Ming and Qing Dynasties. Among the contributing five factors to the formation of dramatic songs of daiguo,the critical one is the ＂cohesion between the tunes,appealing to ear and coherence between the beginning and the end＂,otherwise any dramatic songs of daiguo would lose its vitality. dramatic songs of daiguo reaches a stage of innovation in the Ming Dynasty.