周履靖词曲创作比较论

Comparing the Creation of Zhou Lüjing's Ci and Dramatic Songs

周履靖是晚明时期所学甚杂的通才型文士,也是典型的"山人型"作家。他词曲兼作,其词作多一词一调之举,表现出乐于尝试不同调式的浓厚兴趣;但却对《渔歌子》一调有大量填制,这与他渴望隐逸山林、啸傲江湖的志趣相关。周履靖在散曲创作中几乎专作南曲套数,且多歌咏隐逸之乐,与词中主要题材内容相一致。因受明代曲体词化与词体曲化风习的浸渍,周履靖词曲的主体风格一同呈现出"清疏"的特征。无论从题材内容方面还是从审美风格方面看,周履靖的词曲创作都表现出一种趋同性特征,这与晚明词曲二体总的发展趋势是一致的。

Zhou Lüjing was an erudite and universal genius in the late Ming dynasty and he was also a typical ＂hermit＂author. He worked at the ci and dramatic songs,his works were characterized with the the correspondent tunes,which show his profound interest to try different tunes. However,he complemented a lot the tunes of ＂Yugezi＂,which was related to his inclination to be a hermit and his leisurely and carefree mood to be isolated from the earthly society. When Zhou Lüjing createed the dramatic songs,almost all the works were created in the style of south dramatic songs. Many of them praised the happiness of being a hermit,which was in accordance with the main content of the his ci works. Because of the interactive influence of ci and dramatic songs,the main characteristics of Zhou Lüjuing＇s works were ＂dear and melodious＂. In regard to the content or the aesthetic style,Zhou＇s works present a kind of conformity feature,which is consistent with the general development tendency of the ci and dramatic songs of the late Ming Dynasty.