摘要
基于城乡社会结构与空间结构诗学的立场,刘庆邦"保姆系列"性别化、底层化、身份化书写,开掘了"保姆系列"家庭化空间的生存面影。经由保姆视角"性"的私密化与"婚姻"梯度化深层结构设置,揭示了空间表征的权力话语对其生存与身份的文化规训意识,建构了空间意象化的城市文化批评。
Based on the presence of urban- rural dual structure and its space poetics,the writing on the rural women migrating into city in Liu Qingbang＇s housemaids＇ series texts which highlighted theirs gendered and underprivileged living image happened in the interior space of urban households. Through the perspective of exploring and revealing by housemaids,especially in the private narrative of theirs ＂sex＂and the gradient marriage,revealing the power of discourse on the training of spatial regulation to theirs survival and identity,and then constructed the urban culture imagery by housemaids＇ sight.
出处
《重庆师范大学学报（哲学社会科学版）》
2015年第1期48-52,共5页
Journal of Chongqing Normal University Edition of Social Siences
基金
教育部人文社会科学研究项目(11YJC751099)
安徽省教育厅省级优秀青年人才基金重点项目(2012SQRW060ZD)阶段性研究成果
关键词
保姆
视角
文化身份
空间诗学
城市意象
housemaids
perspective
cultural identity
space poetics
city image
