胥江祖庙的壁画艺术探析

Analysis on Xujiang Temple Mural Art

胥江祖庙是岭南广府地区最具影响的三大古庙之一,现祖庙基本保持清光绪十四年重建时的总体格局,庙观古风依旧,每座庙宇均由山门、正殿与侧廊组成,合院式布局,砖木结构,硬山屋面,清水砖墙,麻石墙裙,是岭南广府地区小型祠庙建筑群的精品之作;其建筑与装饰艺术都是岭南建筑艺术的精品,该文通过文献整理、画幅尺度、构成探寻壁画营造的组织和策划、选题、位置安排的规律,及对画幅名款的辨识明确其画师,并通过赏析个人作品的艺术风格追溯绘画技术源流。

Xujiang temple, as one of the three major temples in south of the Five Ridges Guangdong is the most influential, now the temple basically remained the overall pattern of the fourteen year reign of Qing Emperor Guangxu reconstruction. Temples remain ancient style, each temple is composed of the gate, the main hall and side gallery. Temple has courtyard style layout, brick wood structure, Yingshan roof, water brick walls, granite wainscot, which is an elaborate works in the south of Five Ridges Cantonese area＇s small temple complex. In this paper, through literature, painting, form scale, we explore the mural creating organization and planning, topic, position arrangement rules, to identify the signature and to clear the format painter, through the appreciation of each works of art style to trace the origin of painting technology.