技巧与精神——邓以蛰和徐复观绘画理论之比较

Skill and Spirit: Comparison Deng Yizhe's and Xu Fuguan's Painting Theory

绘画理论围绕精神与技巧的讨论经久不衰。邓以蛰先生的绘画理论注重笔画,由笔画论气韵生动。徐复观围绕艺术精神论中国绘画里的人生。在色彩上,两人都主张水墨渲淡,但邓以蛰和徐复观分别从艺术效果和绘画者的审美意识角度来论证。在书画关系上,邓以蛰从形式构造上认为书源于画,徐复观则认为书画是完全不同的系统。在绘画史的研究上,两人用"气韵生动"的发展来构建体系,但邓以蛰的理论是以笔画为基础,徐复观则是以老庄思想为主导。

The painting theories have discussed about spirit and skill for a long time. Deng Yizhe＇s painting theory pays attention to stroke and vitality. Xu Fuguan discusses life in Chinese painting from the spirit of Chinese Art. In color,both of them advocate ink rendering. Deng Yizhe proves his theory from the perspective of artistic effect while Xu Fuguan does it from the the sense of aesthetic. In the relationship between calligraphy and painting,Deng Yizhe thinks that calligraphy is from painting from the point of form and structure. Xu Fuguan,however,thinks calligraphy and painting are completely different systems. In the study of the history of painting,they build the painting theory system by the development of ＂vividlity＂. Deng Yizhe bases his theory on stroke while Xu Fuguan bases his the thoughts on Lao Zi and Zhuang Zi.