摘要
中国近现代学者对悲剧的讨论,焦点在于如何看待"大团圆"结局。如果将悲剧划分为深层悲剧和浅层悲剧,就会发现中国古典戏剧中确实存在着悲剧。简要梳理中国近现代学者关于"大团圆"的讨论和西方学者的悲剧人物观,分析深层悲剧和浅层悲剧的本质、特征和意义,有助于进一步揭示悲剧对中西方民族思维和精神的影响。
Contemporary Chinese scholars of drama are divided when viewing the happy ending. If tragedy falls into two categories, the profound tragedy and superfi cial tragedy, then there are such in Chinese classical opera. This paper summarizes research on the happy ending in China, and in the light of Western tragic personality theories, analyzes the two tragedies in terms of their defi nitions, features and signifi cance, revealing the impact of tragedy on both Chinese and Western thinking.
出处
《广州广播电视大学学报》
2015年第1期65-69,110,共5页
Journal of Guangzhou Open University
关键词
“大团圆”
人物
深层悲剧
浅层悲剧
happy ending
character
profound tragedy
superficial tragedy