摘要
方薰作为清代中叶一位性灵派诗论家,很少被人注意,与他的诗话《静居绪言》长期作为无名氏作品流传有关。其诗论的主导倾向,在崇尚性灵、力求创新、肯定男女之情等方面都与袁枚如出一辙,但在扬唐抑宋、沟通诗画艺术特征等方面又有其独到的见解,通过与袁枚、赵翼的对比,可以清楚地看出他逸出性灵派诗论之外的个人色彩。
Fang Xun, as a poetic theorist of Xingling School in the middle of the Qing Dynasty, has drawn little attention, for his notes on Jing Ju Xu Yah had long been known as an anonymous work. He preferred natural disposition and intelligence, strived for innovation, affirmed the emotions between men and women, which were accord with Yuan Min' s ideas. However, compared with Yuan Min' s and Zhao Yi' s thoughts, his unique views were shown, preferring the Tang' s poetry to the Song' s one and communicating the characteristics of poems and paintings, obviously illustrating his own charms beyond the theories of Xingling School.
出处
《学术交流》
CSSCI
北大核心
2015年第2期181-185,共5页
Academic Exchange
基金
国家社科基金重大课题"清代文人事迹编年汇考"(13&ZD117)
国家社科基金项目"乾隆朝诗学的历史展开研究"(12BZW051)
关键词
方薰
性灵派
诗学
诗画关系
Fang Xun
Xingling School
poetics
relationship between poetry and painting