坚定不移地探索中国美术自主发展的道路——中国百家金陵画展十年艺术成就与影响

Unswervingly Explore an Independent Developing Way of Chinese Fine Arts:Artistic Achievement and Impact of Chinese Baijia Jinling Art Exhibition

崛起于上世纪五六十年代的新金陵画派,是将现实主义精神植入传统绘画而斩获新生的典型案例。创立百家金陵画展的文化策略,既在于沿用新金陵画派的影响而创立品牌,也在于继承这个画派崛起的艺术思想——在坚持现实主义创作方法的过程中推动艺术变革与艺术发展。这种对于艺术"当代性"演变逻辑的认知,也在很大程度上代表了中国美术的基本价值观。首先,它坚持的是绘画艺术存在的永恒性,而不是因新媒体艺术的新兴而丧失在艺术史存活的空间;其次,则是绘画艺术只有不断回到现实生活才能获得发展的动力与语言创造的活力,而不是单纯地在艺术语言或艺术品类之间进行不断的自我创新、或替换取代;三是艺术的民族性文化特征是与生俱来的,没有脱离民族性文化的所谓抽象的全球性艺术,因为没有抽象的艺术家个体,但凡生活在这个地球上的艺术家总是归于某个群体、某个民族和某个国家,艺术创作只是他民族身份、文化血脉在其个体经历中的审美显现。也因此,百家金陵画展也浓缩了当代中国的审美哲学,探索中国美术自主发展的道路已成为一种坚定的信念。

Paying attention to contemporariness of art, Hundred School Jinling Painting Exhibition to some extent re- presents the fundamental value of Chinese fine arts. Firstly, it adheres to the eternal attribute of painting art, and it would not loss its survival space in the new developing of new media art. Secondly, real life could provide endless im- petus and vitality for artists to create. Thirdly, there is neither abstract global art nor abstract artist. Every artist must belong to one group, one nation, and one country. And artistic creation is only an aesthetic representation of his na- tionality identity and civilization, and his experience. Hundred school painting exhibition concentrates contemporary Chinese aesthetic philosophy and a firm belief in exploring the independent development way of Chinese fine arts.