试析乾隆内府对南宋四家绘画的品赏与收藏——从《名画荟珍》册谈起

Talking about Qianlong Court's Appreciation and Collection of The Paintings by The Four Masters of Southern Song Dynasty from The Treasures of Chinese Traditional Painting

本文从乾隆内府汇集的《名画荟珍》册谈起,利用文献、档案、实物,分析了乾隆内府对南宋四家绘画的喜爱及其原因,揭示了乾隆内府的绘画审美趣味和品评特点。文中运用大量的例子说明,乾隆推重南宗绘画和喜爱南宋四家绘画并不矛盾,这种情形在明清时期的文人中也并不少见。最后,作者对绘画史研究中把以上两种趣味视为对立的缘起进行了追溯,指出了这一看法的偏颇。

Based on the folios of The Treasures of Chinese Traditional Painting(Mínghuà Huìzhēn) by the Qing Qianlong's( 乾隆) Court and historical documents, objects and other materials, this thesis intends to find out why the works by the four masters of the Southern Song dynasty were much more adored and appraised and how much they were imperially appreciated at that time. Many evidences supported the fact that Emperor Qianlong( 乾隆) enjoyed and held in esteem the paintings the same way as many literati did during the Ming and Qing periods. When it comes to aesthetic standards, the idea that enjoyment and appreciation of a painting absolutely oppose each other is biased in the author's opinion.