媚俗艺术与民间艺术的互文性关系

The Intertextuality of Vulgar Art and Folk Art

媚俗艺术作为工业化时代之后出现的一种审美现象,虽然伴随着美学不充分定律,成为快乐谎言和坏趣味的代表,但是依旧被大众广泛接受;民间艺术拥有健康快乐的形式与内涵,但是在新媒介与商业主义无孔不入的情况下也被媚俗艺术渗透,形成了与媚俗艺术的互文性。民间艺术应以积极有效的文化策略应对新的语境,以实现可持续发展。

As a kind of aesthetic art after the Industrial Age, vulgar art has become popular as a representative of happiness lies and bad taste, although it is accompanied by law of inadequate in aesthetic, Folk art with healthy connotation and pleasing forms has been infiltrated by vulgar art under the situation of all-pervasive new media and commercialism, which comes to indicate the intertextuality between the folk art and the vulgar art. Thus, positive and effective cultural strategies should be taken to launch a response to the new situation to obtain the sustainable development of folk art.