性别视域中的昭君形象

The Image of Zhaojun from the Viewpoint of Gender

如果从性别视角考察历来的昭君形象塑造,不难发现存在着程度不同的符号化倾向。她们大多出自男作家笔下,被抽空了作为女性个体生存的具体与实在,要么成为释愤抒怀的情绪载体,要么沦为承载政治理念和审美理想的抽象符号;即便出现一些女性昭君题材的诗词,也由于性别意识的阙如概莫能外。只有到了20世纪90年代后的女性写作中,昭君终于穿透层层历史迷雾以一个真实的历史主体形形象浮现于文学史中。

We review the images of Zhaojun from the viewpoint of gender,it＇s not difficult to find there has been a tendency toward different symbolism.Most of this came from male writers,who pictured her experience as a female individual＇s specific reality either becoming a vehicle of emotional release of the anger of the male writer,or reducing it to abstract symbolism carrying political ideas and aesthetic ideals.Even if poems about Zhaojun written by women were produced they admit of no exception because they are also lacking in gender awareness.Only in women＇s writing in the 1990s has Zhaojun finally appeared in the history of literature as a true image of a historical subject through the layers of history＇s fog.