从原始文字到现代图案:象形文字的图形创意研究

Graphic Creativity Research of Hieroglyphics from the Original Text to the Modern Pattern

从原始文字到现代图案,象形文字作为原始文字的一种对象形文字图形的运用与设计研究,一直是现代图案设计的重要研究课题。作为一种原始文字,象形文字有着独特的原始形式,因此为图形创意提供了丰富的想象空间,具有无穷的魅力。通过分析原始文字的图形语言表达和图像的文化感知,进而以古代甲骨文字、东巴象形文字和克雷特文字为例,进行象形文字图形创意的可变性研究,最后将结果运用到创意设计中,实现象形文字资源的推陈出新。

From the original text to the modem pattern, the application and design of hieroglyphs graphics as one of original text has always been an important research topic in modem graphic design. As one of an original text, the hieroglyphs has its own unique original form, so it provides the abundant imagination space for graphic creativity, having the infinitive charm. In this paper, through the analysis of the original text expression of graphic language and culture perception of images, the variability of hieroglyphs creativity is studied by means of the examples of Oracle bone inscriptions, Dongba hieroglyphs and Clate. Finally, the results of this research are applied to the study of graphic creativity so as to achieve renascence and development of hieroglyph resources.