论《永州八记》的山水美学思想

On Landscape Aesthetic Ideas in “Eight Essays on Yongzhou”

作为脍炙人口的山水游记,柳宗元的《永州八记》蕴含了丰富的美学思想。它揭示了主体在山水之美的发现、创造中的重要意义,认为山水美在有"奇味",则凸显了审美客体的价值,比较辩证地阐述了主客体各自的重要性,而柳宗元对审美愉悦耳目——心——神的多层次发掘,与现代西方的格式塔心理学的"异质同构"有异曲同工之妙。

As travel notes winning universal praise, ＂Eight Essays on Yongzhou＂ by Liu Zongyuan have contained rich aesthetic ideas. They reveal the significance of the discovery and the creation of the beauty in landscape by the subject. The consideration of the ＂peculiar charm＂ in the landscape, however, reveals the value of the aesthetic object, fairly dialectically explaining the importance of the subject and the object respectively. Liu Zongyuan＇s profound spiritual exploration on aesthetic pleasure is analogous to the ＂ heterogeneous isomorphism＂ in modern Western Gestalt psychology.