摘要
贾樟柯作为中国独立电影导演群体的典型代表,他的电影作品一经问世,便以其对时代背景下个体命运的人文关照和对新现实主义电影美学的承袭,在国内外电影界引起了广泛关注。对于贾樟柯的电影创作风格,电影界的评论褒贬不一,但他的作品带有极强的个人书写风格,传达出对社会现实的思考也颇具独立意味。从贾樟柯出发,对其个人影像的美学特征和文化意义进行更深入的研究,以此为切入点探讨中国独立电影当前的发展情况和前景。
Jia Zhangke is a typical member of Chinese independent filmmakers.His films,once available,have aroused widespread concern in film festivals both at home and abroad,for its human care to the individual fate under the social background and the inheritance of neorealist film aesthetics.As to Jia's film making style,there are mixed reviews in the film industry.However,his films have a strong personal writing style,conveying that his thinking to social reality is also with quite independent meaning.A more in-depth study should be conducted on his aesthetic features and cultural significance of individual images,from which point to explore current development situation and prospects of China's independent films.
出处
《河北广播电视大学学报》
2015年第1期106-108,共3页
Journal of Hebei Radio & TV University
关键词
中国电影
贾樟柯
现实主义
独立电影
Chinese film
Jia Zhangke
realistic aesthetics
independent film