摘要
舞蹈艺术的特点让舞蹈批评举步维艰。如何才能建立起一种相对独立(不依附创作者意图),而又跟舞蹈创作紧密关联的舞蹈艺术批评,也就成为当前中国舞蹈艺术面临的新课题。新舞蹈批评应该充分发挥"批评的想象力",不止步于发现了艺术家独特的匠心和独创的形式,而是进一步思考为什么这种匠心和形式在"这样的历史时刻以这样的形式出现",最终,通过将舞蹈作品的形式技巧与产生这个形式技巧的现实勾连在一起,发现或者说"解放"舞蹈作品的内在意义。
It is scarcely possible for dance critics due to the unique characteristics of dance art. Thus how to construct a type of dance criticism relatively independent from the creators' intentions and closely related to dance creation has become a new issue of the contemporary Chinese dance art. The new dance criticism should make full use of "the imagination of critics",not only to find the artists' originality and creative forms,but to further explore how the originality and forms "manifest themselves in these forms and at this historical moment". Ultimately,the dance criticism could discover or"liberate"the inner meaning of dance works through relating the reality from which the forms result to the forms themselves.
出处
《北京舞蹈学院学报》
CSSCI
北大核心
2015年第1期31-36,共6页
Journal of Beijing Dance Academy
基金
国家哲学社会科学基金一般项目"批判理论视野下的当代中国文化批评研究"(13BZW006)成果
关键词
身体感染力
舞蹈批评
文化批评
the body infection
dance criticism
culture criticism