意义的开放与经验的现场——环境舞蹈剧场《阿O一家》述评

The Openness of the Meaning and the Site of the Experience:Review of Environmental Dance Theatre Work O's Family

本文以环境舞蹈剧场作品《阿O一家》为例,探讨环境戏剧中意义与经验的现场生成机制。兴起于20世纪60年代的环境戏剧通过对镜框式舞台的突破、激活演员与观众之间的互动反应链等艺术手段,重新定义了"戏剧表演"的界限与观念。作品《阿O一家》结合了环境戏剧与舞蹈剧场的艺术特性,将舞蹈艺术的表意空间进一步扩展。笔者着重阐释与分析作品中关于当下中国的生命境遇以及对"体制暴力"的多重隐喻,以此凸显环境戏剧在当代都市生活中独具的艺术力量与政治思想维度。

This paper is a critical comment about environmental dance theatre work＂O＇s Family＂. It discusses the combination of the formation mechanism of meanings and experience,and focuses on the multiple metaphors about ＂institutional violence＂in the work. Based on the interpretation of the work,it highlights the unique strength and ideological dimension of environmental theatre in contemporary society.