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论风景油画写生中的“取舍之道”

On Choice of the Road of Landscape Oil Painting from Life
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摘要 油画风景写生并不是将眼前的风景分毫不差地都搬到画面上,而是根据自己当时的感受与审美有取有舍地来写生表现。取舍不过是写生过程中的一种方法,它渗透在作画的每一个步骤中,其最终目的就是为了表达出自己当时的视觉感受和审美理想,所以,对风景的感受力和审美取向决定着最终的选择与放弃。而感受力和审美品位又是需要在长期的艺术实践和思考中慢慢得到锻炼和升华的。 Landscape oil painting is not the exact copy of the landscape but the demonstration according to the situational feeling and aesthetic choice. So the choice is just a way when landscape oil painting is do-ing, which is penetrating the every step of painting. The aim is to express one's own visual feeling and aes-thetic idea. Therefore, the choice landscape oil painting is decided by the aesthetic orientation and scenery sensibility. And what's more, the sensibility and aesthetic taste are gradually trained and developed in the long run of practice and thinking of art.
作者 姜素玉
出处 《湘南学院学报》 2015年第1期73-76,共4页 Journal of Xiangnan University
关键词 油画风景写生 视觉感受 审美理想 “取舍之道” landscape oil painting,visual feeling,aesthetic idea,choice of road
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  • 1吕胜中. 造型原本[M]. 北京:生活、读书、新知三联书店出版,2005.

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