摘要
本文以长安出土画塑为例,细密的爬梳了以唐代长安出土胡帽为蓝本的造型语言、装饰风格和媒材属性,并尝试性的从三个方面辩述胡帽文化在李唐社会中主体的选择与改良性流布,其间或借鉴、或渗透、或冲撞、或消长,或可成为当下中国服饰文化走向的成功历史借鉴。
Taking painting sculptures unearthed in Xi'an as an example,this paper researched carefully about the shaping language,decorating style and media nature of the Hu caps with those unearthed in Xi'an as an example,and tried to explain the choice and improving spreading of Hu caps in the main body of Tang society in three aspects,and we could see the mirroring,penetrating,conflict and change might become successful historical reference for current Chinese clothes culture.
出处
《南京艺术学院学报(美术与设计)》
CSSCI
北大核心
2015年第1期39-43,235,共5页
Journal of Nanjing Arts Institute:Fine Arts & Design
基金
陕西省教育厅专项科研计划项目(12gk0334)
关键词
唐代
胡帽
改良
造型和装饰
Tang Dynasty
Hu cap
improve
shape and decoration