摘要
语言是文学艺术赖以存在的基本形式因,是言说主体"由艺进道"进行自我主体性身份建构的重要途径与方式之一。使用不同性质的语言符号进行文学艺术的编码创作活动,暗示了"文学场"内外参与者对权利话语的冲突与斗争。在诗性语言符号建构的艺术文本世界中,融入了创作者自我生命情感体验和审美想象的"世界",是一个流动性的虚拟想象世界,展现了言说主体对"他者之自我"的理想追求。被言说的万物以饱满的诗性能量进入并呈现于这个世界中,与言说主体相遇,打开了一个双向沟通的召唤式意义图示,从而实现对言说主体存在意义的深情呼唤与敞开。
Language is the basic form of the existence of literature and art.It is an important means of constructing the speaking subject's identity by"The art of enlightenment".The creative activities of language coding,with different nature of language symbol for literature and art,suggested the collision and struggle about the right of discourse between different participants in " literature field".In the world of art constructed by the poetic language,the world is a mobile virtual world of imagination,because it is full of the creators' life emotional experience and aesthetic imagination.Descripted and narrated everythings wich is full of poetic energy presents in the art world,formed a called significance schema to two-way communication between the speaking subject and the cosmic world,so,it is realized affectionate calling for the self- existence significance.
出处
《河南师范大学学报(哲学社会科学版)》
CSSCI
北大核心
2015年第1期140-146,共7页
Journal of Henan Normal University(Philosophy and Social Sciences)
关键词
文学场
语言
言说主体
宋词语言
the Literary Field
Language
the speaking subject
The Song Iambic Verse Language