张开焱神话学思想的内在发展逻辑

The Cultural Logic of Zhang Kaiyan's Mythology Thought

中国神话研究的百年历程,大致形成了西学建基(20世纪初期)、国学考辨(20世纪上半叶)、方法论转型(20世纪下半叶以来)三个学术时期。张开焱先生的神话研究集中于第三个时期,也代表了这一时期我国神话研究的基本风貌。理解开焱先生的神话学思想,成为我们进入当代中国神话学的重要路径。近二十年来,开焱先生精思勤作,开创了中国神话学的两个风气:一是神话叙事学,一是还原中国创世神话。如果说神话叙事学是开焱先生方法论转型时期的先锋之作,那么,还原中国创世神话则是中国神话学回归古典的标志性成果。综述开焱先生的神话学思想,可以见出其自觉的方法论逻辑:现象学意义上的回归古典,因此可以将其研究名之为中国神话学的"还原学派"。

A century history of Chinese mythology research has formed approximately three academic periods：Western based（the beginning of the 20 th century）,traditional Chinese exam debate（half of the20 th century）,the methodology transformation（since the second half of the 20 th century）.Zhang Kaiyan＇s mythology research focuses on the third period,also represents the basic style and features of the mythology research in China during this period.Understanding Mr.Kaiyan＇s mythology thought has become one of important paths we entered the contemporary Chinese mythology.In recent twenty years,Mr.Kaiyan works diligently and creates the atmosphere of two Chinese mythology：one is the myth narrative;the other is a reduction Chinese creation myth.If myth narrative is a pioneer work during Mr.Kaiyan＇s methodology transformation period,so,reducing Chinese creation myth is Chinese mythology return to classical symbolic achievements.A review of Mr.Kaiyan＇s mythology thought,we can see the logic method：the return of the classical phenomenology sense,so it can be called＂Reducing School＂of Chinese mythology.