仪式与展演:承载赣南客家文化的两类场域

Ceremony and Performance: Two Types of Bearing Capacity in Gannan's Hakka Cultural Context

江西省赣南客家聚居区保存着种类繁多的礼俗仪式,这些仪式具有典型的传统文化特征;近年,在国家非物质文化遗产保护运动下,一种为国家权力所操控的现代"文化展演"运应而生,并在形式上重现了村落中的民俗礼仪。以宁都翠微之春文化艺术节为例,通过文化事项在仪式与展演两类场域的比较,阐明赣南客家文化在仪式与展演的相互转换中,逐步实现自身的传承和延续。

Jiangxi Gannan Hakka ghetto preserves a wide variety of rites ceremony,which have typical traditional cultural characteristics. In recent years,in the context of national intangible cultural heritage protection movement,under the control of the state power of the modern ＂ cultural performances ＂ arises at the historic moment,and to reproduce the folk rituals about villages in the form.Taking Ningdu Cuiwei Zhichun culture art festival as an example,and through comparing cultural issues between rituals and performances. It clarifies Hakka culture in the ceremony and performance of the mutual transformation,and gradually realize its own inheritance and continuity.