摘要
阿多诺作为法兰克福学派的重要代表人物之一,其思想自1990年代中后期开始成为国内学术界的关注焦点,然而阿多诺的文学批评成就却尚未引起学界的关注,阿多诺与文学的关系仍处于被遗忘的境地。事实上,阿多诺的文学批评是其整体思想的重要组成部分,这集中体现在《文学笔记》及《三棱镜》中。总体来看,阿多诺的文学批评活动是对当时德国文化、政治情境的反应,呈现出哲学化的特征与鲜明的现代主义艺术倾向。
As one of the most important representatives of the Frankfurt school, Adorno's thought has begun to be the focus of the domestic academia since the 1990 s. However, Adorno's achievement in literary criticism has not received the attention of academic research, and the relationship between literature and Adorno is still forgotten. In fact, Adorno's literary criticism is an important part of his thought, which is well manifested in two books Notes to Literature and Prism. In a word, Adorno's literary criticism is the reaction of the German culture, political situation at that time, which presents philosophical features and the tendency of modernism art.
出处
《淮南师范学院学报》
2015年第1期76-80,共5页
Journal of Huainan Normal University
基金
天津市教委一般项目(20132227)
天津师范大学博士基金项目(52WR17)
关键词
阿多诺
文学批评
《文学笔记》
Adorno
literary criticism
Notes to Literarture