狂欢与变形——论《蛙》中的话剧因素

Carnival and Deformation——On Drama Factors in Frog

在莫言先前的艺术观念中,按照事物本身的面目表现事物,那不但是保守,简直是平庸。莫言的艺术感受是非常规的,变形的,这是他的小说最基本的特色。他的艺术个性也是基于这一点建立的。在《蛙》中,莫言已经从语言形式的简单变形向艺术感受和艺术氛围的变形进行尝试性的蜕变。笔者认为,《蛙》中最典型体现其对变形艺术的成熟运用是在其与话剧的联姻之中。

According to Mo Yan＇ previous artistic conception, narration based on the thing itself is not only conservative but mediocre. Mo Yan＇s art experience is unconventional and deformative, which is the basic characteristic of his novels. His artistic personality is also based on this point.In Frog, Mo Yan has tentative transformation from simple language deformation to artistic experience and artistic atmosphere deformation. The author thinks it is reflected typically in the application of drama. The carnival language will also be studied in this paper.