摘要
作为中国现代文学和日本近代文学的代表作家,郁达夫和岛崎藤村的小说都具有浪漫的抒情性和自叙传的特点,并在关于人生和性的苦闷的文学主题以及偏重自我暴露的内心告白和忏悔意识等方面都有相似性。但在诸多相似的文学特征的背后,却是他们文学创作上相反的变化轨迹。相对于岛崎藤村从"大我"出发、向"小我"收缩的变化特点,郁达夫则是以"小我"起步,循序渐进地不断向"大我"拓展。这种差异性的出现,既是他们对所承载的文学传统的趋近与回归,也是他们不同的文学使命和人生态度使然。
Shimazakitoson and Yu Dafu are representatives of modern literature in Japan and China respectively.Their masterpieces are highly romantic and autobiographical,both focusing on the depression of life and sex.Though they both apply confessions in their writing,they go in totally different directions in their literary writing.Shimazakitoson＇s writing theme shifts from social identity to personal identity while it＇s just the opposite with Yu Dafu.The difference is attributable to not only personal reasons but also social background and literary value of each.
出处
《同济大学学报（社会科学版）》
CSSCI
北大核心
2015年第1期103-108,共6页
Journal of Tongji University:Social Science Edition
关键词
郁达夫
岛崎藤村
“大我”
“小我”
私小说
Yu Dafu
Shimazakitoson
social identity
personal identity
private novels
