摘要
《青春之歌》是社会主义文学实践的代表性作品之一,在出版之初就引起了一场大规模的论争,从工人到党的文艺官员都以不同方式介入了这场论争。论争一方面体现了不同文学观点之间的碰撞,另一方面也体现了象征资本的争夺和博弈。论争的结果是《青春之歌》的修改、再版和影响的进一步扩大。从论争到修改,《青春之歌》完成了"集体写作"的过程。这一方式是社会主义文学实践和意识形态再生产中的一个独特现象。
Song of Youth is one of the representative works of socialist literary practice. In the beginning of the publication, it sparked a widespread controversy, in which people from workers to the Party’s literary officials were involved in the debate in different ways. On the one hand, it was a collision of different literary points of view; on the other hand, it was a dispute and game of symbolic capital. The result of the debat led to a revision and republication of the novel,which loomed large its publicity. From the debate to negotiated the process of “collective writing”, which is a unique phenomen in socialist literaray practice and ideology reproduction.
出处
《石河子大学学报(哲学社会科学版)》
2015年第1期88-94,共7页
Journal of Shihezi University(Philosophy and Social Sciences)
关键词
《青春之歌》
修改
集体写作
Song of Youth
revision
collective writing