时间的风格——设计学视角的“时间形态”变迁考察

THE STYLE OF TIME——AN EXAMINATION OF THE CHANGING "TIME FORMS" FROM THE PERSPECTIVE OF DESIGN THEORY

本文从"时间风格就是社会地点特有的节奏、时间隐喻、时间实践"[1]的观点出发,探讨时间观念的变化对人类社会实践及设计行为的影响。时间是物质存在的形式,也是我们所生存的大千世界的基本框架。真正的时间只有一种,永无变化,永无止境。但人类与时间的关系在不断地变化,不断有新的生成,这就是人类文明视野中的"时间史"。本文试从不同文明阶段人类体验时间的"风格"形式的变化中,探索一定文明条件下创造新的"时间维度"的可能。概而言之,就是考察、分析、阐释社会文明发展过程中,人们体验时间维度、记录时间维度、思考时间维度以及创造时间感受新维度的可能,从这个意义上考察与之相适应的"时间风格"设计史。

This paper, from the point of view that ＂time style is peculiar rhythm of social place,time metaphor and time practice＂, discusses the influence of the change in time concept on mankind society practice and design activities. Time is not only the matter of existing form, but also the basic framework of the wide world we live in. There is only one form of time, never changing and never ending. But the relationship of mankind and time is constantly changing and generating. This is ＂The History of Time＂ in the visual field of civilization. This paper attempts to explore the possibility of creating new ＂Time Dimension＂ under certain civilization condition from the change of the ＂Style＂ form of experiencing time of human in different civilization stages. In another word, it is to inspect, analyze and elucidate the dimension of experiencing the time, recording the time, thinking the time and the possibility of creating new time perception in the process of the development of social civilization. In this sense, the design history of ＂Time Style＂ accommodated is to be inspected.