从家庭相簿到电子相册——中国私人影像中的主体建构与设计演进

FROM THE FAMILY ALBUM TO THE ELECTRONIC ALBUM——THE SUBJECT CONSTRUCTION AND DESIGN EVOLUTION OF CHINESE PRIVATE IMAGE

私人影像作为自摄影术发明以来最主要的拍摄载体,以个人的、私密的、身体的形态来反映一直以来人们对整个世界认知和价值观念的变化,是横向反映现代化进程的一面镜子。中国作为现代化进程中的后发达国家,在吸收西方摄影技术以及摄影语言来表达自我的过程中经历了吸收、消化、提炼等一系列过程,最终以文化自律的修复与调节能力完成了私人影像的重构与再结构化。本文将结合具体的私人影像及相关资料,分析蕴含其中的政治、社会与日常生活相关的结构关系,阐释国人是怎样通过塑造自身受尊重与个性化的形象并使之与全球的现代化进程关联起来的。

Private image is the most basic image scheme since the invention of photography,changes in personal, private, body shapes could corresponding to the awareness of the outside world and the chance of value concept. It is also mirrored the process of China＇s modernization. As one of the postdeveloped countries,China experienced the absorption, digestion, extraction in order to absorb Western photography and photographic language to express itself, it accomplished reconstruction and re-structured of private image with cultural self-discipline restoration and adjustment ability at last. The author of this paper hopes to combine the specific private image and relevant information, analyze structured relationship of political, social and everyday life in private image in order to explain the way Chinese shape their respective and personalized images, and associate it with global modernization process.