当代艳俗艺术中的“妖艳之势”——以杰夫·昆斯和俸正杰为例

"FLIRTATIOUS POTENTIAL" OF CONTEMPORARY GAUDY ART"——TAKING JEFF KOONS AND FENG ZHENGJIE AS EXAMPLE

艳俗艺术的产生背景有着时代背景和文化背景两类。因为任何一种艺术形式都不是无本之木、无水之源,并不是孤立存在的,其从属于艺术家,也包括艺术家在内的艺术流派和周围的艺术环境。它并不是凭空活跃在艺术界,其都深深扎根于社会的土壤之中生根发芽。杰夫昆斯与俸正杰正是这一流派的重要代表人物。在这一历史条件下,玩世主义,政治波普也应运而生,艳俗艺术也是继他们之后,又引人注目的艺术现象,成为90年代的新宠。

Historical background and cultural background are two types of. Because any kind of art form is not independent, Gaudy Art belongs to the artists, including art schools and art surrounding environment. They are deeply rooted in the soil of society. Jeff Koons and Feng Zhengjie are important representative of this genre. In these historical conditions, cynicism and political pop emerged, and Gaudy Art followed them, and became striking artistic phenomenon, and finally has become the new darling of the 1990s.