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傣族口头传统中的诗歌韵律与曲调分析——以德宏、西双版纳和新平傣族为例 被引量:2

The Analysis of Poetic Rhyme and Melody of Oral Tradition in Dai Nationality——Taking the Dai Nationality of Dehong,Xishuangbanna and Xinping as Example
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摘要 傣族诗歌常见的韵律是"腰脚韵",而曲调则多种多样。西双版纳、德宏等地的傣族因受到佛教影响使用文字,而没有受到佛教影响的元江、红河流域的傣族则没有文字。虽然大部分傣族诗歌已经文本化,但是按照口头传统理论可将它们分为"口传文本"、"源于口传的文本"、"以传统为导向的文本"。从古老的"口传文本"到"以传统为导向的文本",始终坚持着统一的诗歌韵律——腰脚韵。而在"口传文本"中,更展现出优美的连环式腰脚韵。 The common rhyme of Dai nationality poems is "End-Middle Rhyme", but the melodies of the poems are various. Owing to the influence exerted by Buddhism, the Dai nationality in Xishuang- banna and Dehong Prefecture has certain languages. However, the Yuanjiang and Honghe Drainage Area have no language because Buddhism has not influenced those areas. Although most Dai nationality poems have been textualized, they also can be divided into three groups: oral text, the text of deriving from oral and the text in terms of orientation of tradition. From the ancient oral text to the text in terms of orientation of tradition, the poems of the areas stick to the unified poetic rhyme, that is, "End-Middle Rhyme". In the oral text, the exquisite chain "End-Middle Rhyme" can be found.
作者 屈永仙
出处 《黔南民族师范学院学报》 2015年第1期27-33,70,共8页 Journal of Qiannan Normal University for Nationalities
关键词 傣族叙事诗 口头传统 章哈 narrative poem of Dai nationality oral tradition Zhangha
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