摘要
本文在厘清广东戏剧研究所来龙去脉的基础上,分析欧阳予倩主持广东戏剧研究所期间在戏剧运动、戏剧演出与戏剧创作等方面取得的重要成就,辨明广东戏剧研究所的"官办"之名和"在野"实质,指出广东戏剧研究所的"在野"有别于南国社的"在野",它饱含强烈的反帝、反封建思想和深挚的民主主义和爱国主义精神,虽未转向"左翼",却以对自强、民主、自由及进步戏剧艺术的不懈追求而展现出超越时空的当下意义。
After studying the historical events of Guangdong Institute of Dramatic Art, this article analyzes the great achievements in theater movement, theater performances and dramatic creation of this institute chaired by Ouyang Yuqian. As a result, the features of the institute are clarified as non-government-rtm institution under the name of government-run. At the same time, the article also declares that although the institute didn't turn to the "left-wing", it pursued self-reliance, democracy, freedom and the enlightened dramatic art in the context of anti-imperialism and anti- feudalism, which shows its contemporary significance.
出处
《戏剧(中央戏剧学院学报)》
CSSCI
北大核心
2015年第1期68-78,共11页
Drama:The Journal of the Central Academy of Drama
关键词
欧阳予倩
广东戏剧研究所
官办
在野
Ouyang Yuqian, Guangdong Institute of Dramatic Art, government-run, non- government-run