摘要
随着"多媒体"在戏剧舞台上的广泛性使用,"多媒体戏剧"逐渐成为一种流行的戏剧标签。事实上,使用"多媒体"技术的戏剧与"多媒体戏剧"存在很大差异。能够称得上"多媒体戏剧"的剧作应当具有这样的特征:"多媒体"在艺术生成过程中真正发挥了作用,参与了艺术构成。也就是说,当"多媒体"技术所担负的任务不仅仅是对剧情的解释说明,其本身就是戏剧环境、戏剧角色、戏剧行动时,"多媒体"在戏剧中的价值方获得实现,"多媒体戏剧"方在文化创意与观念革命的高度上获得完成。在此,技术与艺术可以并行不悖。作为对传统戏剧创作方法的拓展与补充,优秀的"多媒体戏剧"不但能够探索戏剧的可能性,而且能够体现艺术想象与技术美学的完美结合。
As the application of multi-media on stage extensively, "multi-media drama" turns to be a fashion. Actually, the theatrical performances that use multi-media are quite different from "multi-media drama". Generally, in "multi-media drama" multi-media plays an important role in creating and constructing theatrical performances, which indicates that multi-media in "multi- media drama" does not only illustrate the theatrical performance but also works as a setting, a character and a plot. In that case, the values of multi-media that connect the imagination of art and the aesthetics of technology come true. Therefore, excellent "multi-media drama" that extends and complements traditional drama creation will explore the potential and theater and shows the perfect unity of artistic imagination and technical aesthetics.
出处
《戏剧(中央戏剧学院学报)》
CSSCI
北大核心
2015年第1期127-136,共10页
Drama:The Journal of the Central Academy of Drama
关键词
多媒体
多媒体戏剧
文化创意
技术美学
multi-media, multi-media drama, cultural creativity, technical aesthetics