论克莱斯特《论木偶戏》中的雅俗文化冲突

On the Clash Between High and Low Cultures in Kleist's On the Marionette Theatre

《论木偶戏》是德国著名经典作家克莱斯特的名篇之一,相关研究众说纷纭,但大多局限于美学和诗学上的解读。文章尝试从文化学的视角出发,对该文及其原初语境——克莱斯特主编的《柏林晚报》——进行观照,借此提供一种对《论木偶戏》一文全新的理解路径,并展现雅俗文化的对抗关系对克莱斯特写作该文的影响;并且,从更广泛的意义上,试图以《论木偶戏》为范例,说明文本、媒介和语境间的流通交换关系。

On the Marionette Theatre is one of the most famous texts by German writer Heinrich von Kleist.There is a wide spectrum of analysis and interpretations of this text in existing research,but most of them are confined to the aspects of aesthetics and poetics.This paper aims to adopt the perspective of cultural studies and to observe this text and its original context,Berliner Abendbl？tter,in the hope that it could provide a new approach to the understanding of On the Marionette Theatre,thereby eventually demonstrating the impact of the clash between high and low cultures upon Kleist＇s writing.In a broad sense,this paper also attempts to use this famous text as an example to illustrate the circulation among texts,medium and contexts.