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“魔幻”背后的文化向度——马尔克斯文学观述评

The Culture Dimensions behind Magic——On literary views based on the novel of Gabriel García Marquez
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摘要 研究马尔克斯小说创作的审美趋向,首先应当了解作者在其代表性作品当中所蕴含的与西方批评家截然不同的审美观点以及这些文学观点是如何影响作者的创作实践的。把握和梳理马尔克斯魔幻现实主义创作表象背后的审美角度和认识趋向,有助于了解马尔克斯对现实主义创作方法的种种思考,特别是理解其作品当中所表现出来的被西方批评家视为"魔幻"的小说要素,认识马尔克斯的创作是如何源于现实基础上的艺术加工,即拉美批评家所认为的是生活的反映,而绝非现实的翻版,是艺术化了的生活。小说中神奇的故事情节并非"幻想"出来的东西,它来自拉美奇妙的神话故事传统和自然景观。看似离奇的鬼神故事,并不影响其作品当中的传统叙事。作者在作品中所表现出来的孤独感,是西方文化视野下的误解所造成的。 The author of this eassy attempts to explore aesthetic trend of novel creation of Gabriel García Marquez and how these artistic views affect his creative practice through understanding his representative works , which implies different aesthetic views in contrast with the western critics .Fully understanding aesthet-ic views and trend recognition , which lies behind the appearances of Gabriel García Marquez magic realism creation, contributes to different understandings and thinking modes of the author in realism creation ,especial-ly the main elements reflected in his magic novels which is regarded as the theme of his novel by western crit-ics.Also, the cognition of his creativity in his works reflected how the great works originated from realistic life , such as the reflection of real life instead of unrealisticand artistic copy of life .Magic plots in the novel aren ’ t“fantasy”,instead, they come from the Latin American magic fairy tales and natural landscapes .As a result, the seemingly bizarre ghost story does not affect the traditional narrative of his works .Also,the writer’ s loneli-ness in his works is attributed by the misunderstanging under the vision of western culture .
作者 唐希
出处 《哈尔滨师范大学社会科学学报》 2014年第6期126-131,共6页 Journal of Social Science of Harbin Normal University
基金 四川省社会科学研究"十二五"规划2014年度外语专项课题"拉美后现代对中国当代文学的影响研究"(SC14WY01)
关键词 现实主义 文化向度 文学观 realism culturaldimensions artistic view
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参考文献3

  • 1[哥伦比亚]加西亚·马尔克斯,门多萨.番石榴飘香[M].林一安,译.北京:生活·读书·新知三联书店,1987.
  • 2[哥伦比亚]马尔克斯.两百年的孤独[M].朱景冬,等译,昆明:云南人民出版社,1997.
  • 3[哥伦比亚]加西亚·马尔克斯.我不是来演讲的[M].李静,译.海口:新经典文化有限公司,2012.

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