摘要
汪野亭与邓碧珊是新粉彩文人瓷板画的典型代表,前者主要创作山水瓷板画,后者开了文人鱼藻瓷板画的先河,对文人瓷板画的发展都有着不可磨灭的影响。通过比较汪、邓两人在诗书画印的和谐统一的共同追求以及在绘画中对待"形"与"意"的不同侧重,可以看出汪野亭和邓碧珊都高度重视瓷板画的雅致,但对瓷板画的"形"与"意"的侧重不同,显现了绘画上的"以形显神"和"以神统形"两种不同的绘画观念。
Wang Yeting and Deng Bishan are the representatives of the new famille rose porcelain plate literati painting, and the former drew mainly landscape porcelain plate paintings, while the latter was the pioneer of literati fish algae porcelain plate paintings. Both had indelible influence on the development of the civilian porcelain plate painting. This paper, by comparing Wang and Deng in terms of common pursuits of harmony and unity in poem, 'calligraphy, painting and seal and their different emphasis on either shape or meaning, reveals two different painting notions of either "revealing charm with form" or "govern form with charm".
出处
《重庆三峡学院学报》
2015年第2期50-53,共4页
Journal of Chongqing Three Gorges University
关键词
汪野亭
邓碧珊
诗书画印
形与意
Wang Yeting
Deng Bishan
poem, calligraphy, painting and seal
form and meaning