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汪野亭与程意亭作品中的生存哲学

A Comparison of Survival Philosophy in the Works of Wang Yeting and Cheng Yiting
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摘要 乱世或时代转折,人们的心灵震荡会愈发强烈,必然展现出特有的生存哲学。清朝灭亡,民国初建,国门已开,西学涌入,这是乱世,也是时代的转折。汪野亭和程意亭生活在这样的时代,他们画作都反映出"以求心灵平和"的生存哲学,但路径却不相同。汪野亭的山水画气势宏大,把自己融入广阔的天地,物我合一,以求超脱。程意亭的花鸟画,每一画作都会有动、植物同时出现,在动静相望的平衡中以求心灵慰藉。 Chaotic times or the turn of times will see more shocks in people's heart and unique survival philosophy will rise. As the Qing Dynasty terminated and the Republic of People turned up, western learning flashed in and our country was forced open to the outside world. As Wang Yeting and Cheng Yiting lived in this chaotic tines and also the turn of times, their works reflected the survival philosophy of "seeking peaceful mind",but with different paths. Wang's works were characterized with magnificence and melting himself in the grand nature, integration of inner world with outside and seeking loftiness while Cheng's traditional paintings of flowers and birds were characterized with the co-emergence of animals and plants so that he can seek peaceful soul in the balance of dynamics and quietude.
作者 王子铭
机构地区 华中师范大学
出处 《重庆三峡学院学报》 2015年第2期54-57,共4页 Journal of Chongqing Three Gorges University
关键词 汪野亭 程意亭 生存哲学 心灵平和 自我认同 瓷画境界 Wang Yeting Cheng Yiting life philosophy peace of mind self identification realm of porcelain painting
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