摘要
《函海》是与《汉魏丛书》《津逮秘书》《知不足斋丛书》齐名的著名私刻丛书,它的出现不是偶然的。《函海》初刻于乾隆壬寅年、次刻于乾隆甲辰年、三刻于嘉庆辛酉年,均由李调元亲手校订刊刻。嘉庆己巳李鼎元校刻本、道光乙酉李朝夔补刻本、光绪辛巳钟登甲重刻本在体例、编排、书目、函数等方面已非李本原貌,反映了《函海》版刻的复杂状态。《函海》内容与卷次的变更是李调元思想转变的产物,其重心由专刻明前珍本古籍向巴蜀典籍转化,传承巴蜀文脉意识逐渐加强,客观上为保存、流传巴蜀文献起到积极作用。李调元编修《函海》使用的各种方法,至今仍具有借鉴意义。
Han Hai is a famous personally carved collection which enjoys the same fame with Han Wei Cong Shu , Jin Dai Mi Shu and Zhi Bu Zu Zai Cong Shu .It didn’t come out at random .It was carved in the Renyin year of Qianlong for the first time ,in the Jiacheng year of Qianlong for the second time ,and in the Xinyou year of Jiaqing for the third time ,all of which were revised and block-printed by LI Diao -yuan himself .LI Ding-yuan’s revised and carved copy of Jiaqing ’s Jisi year ,LI Chao-kui’s added and carved copy of Daoguang’s Yiyou year and ZHONG Deng -jia’s re-carved copy of Guangxu’s Xinsi year are all different from LI’s original copy in terms of style ,edition ,bibliography ,function and etc .,which reflects the complex states of the carving of Han Hai .In fact ,the change of content and volume number are the outcome of the change of LI Diao -yuan’s thoughts ,the core of which changed from only carving the rare and ancient books of the early Ming dynasty to carving Bashu ’ s ancient codes and records ,and in which his consciousness of inheriting Bashu’s cultural context .All of these play an active role in preserving and in-heriting Bashu’s literature in an objective way .And the methods used by LI Diao -yuan in revising and editing Han Hai still have a referential meaning till now .
出处
《上饶师范学院学报》
2015年第1期71-79,共9页
Journal of Shangrao Normal University
基金
2013年度国家社会科学基金"唐代郎官与文学研究"(13BZW061)
关键词
《函海》
李调元
编修
刊刻
版本
Han Hai
LI Diao-yuan
revising and editing
carving
copy