摘要
中国抒情美学物我情境互动中的"物"除了在"情志"聚焦范围下被选择呈现外,还有一个穷形尽相,曲尽物貌,求情感、情景、情事之妙的"体物"传统。"体物"诗学诗艺关联着中国抒情传统的一个重要维度——"物"。陆机在《文赋》中首先提出了"体物"这个理论命题。当超越"赋体物"这一单纯文体自觉的层面来理解"体物"的时候,"赋体物而浏亮"对"言志""缘情"主导下的中国抒情传统"感兴"论述是一个重要补充。职是之故,"赋体物而浏亮"的理论贡献和诗学意义需要放在"中国抒情传统论"中来认真地整理与阐释。
Except for focusing in feeling aspiration,“Wu”shows itself. There is another important layer of Ti-Wu in Chinese poetry tradition. Ti-Wu has brought forward from Wenfu by Lu Ji. When we expound Ti-Wu exceeding style of writing being aware,Ti-Wu is a important supplement for the Chinese lyrical tradition Besides“Yan-Zhi”and“Yuan-Qing”. Therefor,theory contribution and poetic significance of the statement that“Fu is vivid due to its description”is expounded in Chinese poetry tradition.
出处
《兰州学刊》
CSSCI
北大核心
2015年第3期68-73,共6页
基金
吉林省教育厅基金项目"先秦两汉抒情文学的艺术特质研究"阶段性成果(项目编号:2010157)
关键词
赋体物而浏亮
“体物”诗学
中国抒情传统
Fu is vivid due to its description
Ti-Wu
Chinese lyrical tradition
