邵雍诗歌的文学史呈现

The Literary Presence of Shao Yong's Poetry

邵雍《伊川击壤集》作为理学诗的代表,历来人们对其毁誉不一。其诗多说理篇章,其间有对社会历史演进的探讨,有对日常生活之理的发掘,均统摄于对儒家经典的阐扬之上。同时邵雍诗歌又有风韵高致、饱含理趣的一面。在创作方式上,邵雍也不着意于诗意的构思而多由心意而发。这些独特面貌,决定了邵雍诗歌在文学史书写中应该占有一席之地。

The Collection of Jirang created by Shao Yong, as a representative of the neo-Confucianism poem, has always been remarked differently. His poems focused on the discussion of the evolution of history and society or the excavation of reason on daily life, both were interpretation of Confucian classics. But Shao Yong’ s poetry still had the side which full of rational interest. On creation form, Shao Yong’ s attention was to the mind instead of conceiving of poem. All of those special features determined that Shao Yong’ s poetry should take a position in the writing of the history of Chinese literature.