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以身份之名:法国女性主义批评中的性别差异 被引量:2

Femininity:Gender Differences in the Eyes of French Feminist Criticism
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摘要 以西苏、伊利格瑞、克里斯蒂娃为代表的法国女性主义者通过对女性特质策略性地运用,分别以身体之名、差异之名、母亲之名从不同的角度肯定了女性写作的必要性,对性别差异进行了一系列的诗性探讨,使原本被遮蔽的性别差异受到学术界的普遍关注。从无视、否定性别差异到重视、肯定性别差异,法国女性主义批评所完成的这一转变凸显了女性主义批评鲜明的政治性与身份意识,为女性主义批评的深入发展奠定了理论基石。 French feminists represented by Helene Cixous, Irigaray and Christiva affirmed the necessity of female writing through tactfully employing femininity strategicall, respectively in the name of the body, the difference and the mother from a different viewpoint, and held a series of discussions on gender differences. The study of gender differences has enriched the practice of feminist critical dis- course on gender differences, and gender differences that is originally hidden has been paid more and more attention in the academic circles. The change of the concept of gender differences highlights political nature and identity consciousness of feminist criticism, which lays the theoretical foundations of the in-depth development of the feminist criticism.
作者 傅美蓉
出处 《咸阳师范学院学报》 2015年第1期113-117,共5页 Journal of Xianyang Normal University
基金 教育部人文社会科学基金青年项目(13YJCZH040) 陕西省教育厅科研计划项目(13JK0240) 咸阳师范学院科研基金项目(12XSYK002)
关键词 法国女性主义批评 女性特质 性别差异 French feminist criticism femininity gender differences
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  • 1Cixous, Helene. "Le Rire de la Meduse." New French Feminisms : An Anthology. Ed. Elaine Marks and Isabelle de Courtivron. Amherst: University of Massachusetts Press, 1980.
  • 2Jones, Ann Rosalind. “Writing the Body: Toward an Understanding of ‘ L'Ecriture Feminine ’.” Feminist Studies, Vol. 7, No. 2 (Summer, 1981), pp. 247-63
  • 3Wenzel, Helene Vivienne. "The Text As Body / Politics." Feminist Studies Vol. 7, No. 2 (Summer, 1981), pp. 284-85.
  • 4Wittig, Monique. "Paradigm." Homosexualities and French Literature. Ed. George Stambolian and Elaine Marks. Ithaca, N. S. Y.: Cornell University Press, 1979.
  • 5弗吉尼亚·伍尔夫.《妇女和小说》,载《伍尔夫作品精粹》.石家庄:河北教育出版社,1991.
  • 6Luce Irigagray, "Ce Sexe qui ffen est pas un" , translated in New French Feminisms, pp. 103-05.
  • 7Helene Cixous, "Le Rire de la Meduse", translated in New French Feminisms, pp. 259-60.
  • 8埃莱娜·西苏.《从潜意识场景到历史场景》[A]..《当代女性主义文学批评》[C].北京:北京大学出版社,1992..
  • 9陶丽·莫依 林建法译.《性与文本的政治》[M].长春:时代文艺出版社,1992年..
  • 10埃莱娜·西苏.《美杜莎的笑声》[A]..《当代女性主义文学批评》[C].北京大学出版社,1992年..

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