由文字到影像的变异:小说《红高粱家族》的电视剧改编探究

Variation from Character to Video: The Inquiry of the Novel Red Sorghum Family 's Teleplay Adaptation

小说《红高粱家族》与电视剧《红高粱》是两个各自独立的艺术文本。电视剧编导采用以重构式为主、建构式为辅的改编方式,在大体尊重小说原著创作意图的基础上,从叙事手段、人物形象到情节运用、人物语言等诸方面,都进行了艺术重构,电视剧与小说相比产生诸多变异。产生变异的原因可从艺术媒介本质的差异、创作主体的艺术修养特长与兴趣、时代文化影响以及受众心理与爱好等方面考察。

The novel Red Sorghum family and the teleplay Red Sorghum are independent texts. Television playwright-directors adopt adaptation method that gives priority to restructuring and be supplemented by constructing. Based on esteeming original work＇s creation intention, they process art reconstruction including recount technique, character image, plot application and figure＇s language, etc, which make playwrighting generates many variations compared with novels. Causes of variation can be investigated from the differences of the artistic media＇s nature, creative subject＇s artistic accomplishment and interest, cultural influence of times, and audiences＇ psychology and favor etc.