20世纪初泰中文学中的女性悲剧根源分析——以西巫拉帕《以罪斗争》与张爱玲《半生缘》为例

The Root of Female Tragedy in Thai and Chinese Literature of the 20th Century

20世纪初是泰中两国新文学的发轫期,实现了从近代文学向现代文学的转型。其中,泰中"文学革命"中女性意识的觉醒及其创作,成为泰中女性文学的真正源头,两国作家通过悲剧人物形象的塑造,描写了女性深受社会与制造的压迫,自身性格软弱甚至变态,在命运面前无可抉择。折射了作家对女性问题的关注,从深层意蕴上反映了当时的社会问题。

The 20th century witnessed the beginning of the New Literature in Thailand and China, when they had both shifted from modern literature into contemporary literature. During that period, the awakening of feminism and works created in ＂literature revolution＂ became the real origin of Thai and Chinese feminine literature. The tragic characters shaped by writers in these two countries reflect the real thought, feelings, esthetical psychology and esthetical standards of ＂modernists＂. It also showed their concern on the feminine issues and deep probation into the social problems arising at that time.