摘要
帕索里尼拍摄的《俄狄浦斯王》是影史上唯一一部以索福克勒斯的悲剧为底本改编而成的电影。但导演却没有遵照古希腊悲剧的精神内核去如实展演,而是任性地改写为自传式的构架,拿来为自己的"弗洛伊德"奠基,并希望能在第三世界中继续自己的马克思主义信仰。于是《俄狄浦斯王》就成了帕索里尼私人订制的,向世人告解自己精神分析与意识形态的影片。
K ing Oedipus made by Pasolini is the only film adapted from the tragedy of Sophocles . Although the director did not show the spiritual core of the ancient Greek tragedy truthfully ,he re‐wrote it as a framework of autobiography willfully in order to found his own“Freud” ,in hope of con‐tinuing his Marxist belief in the third World .Therefore ,King Oedipus becomes a personal tailored film for Pasolini himself through which the director confesses his psychoanalysis and ideology to the world .
出处
《广西师范学院学报(哲学社会科学版)》
2015年第2期45-48,共4页
Journal of Guangxi Teachers Education University:Philosophy and Social Sciences Edition