从十竹斋看水印木刻技艺的发展现状

Analysis of the Development Status on Woodblock-Watermark Technique Through from SHIZHUZHAI

明代末年,胡正言在金陵创立的十竹斋及其刻印出版的《十竹斋书画谱》、《十竹斋笺谱》可谓一举成名,备受当时文人追捧,亦对后世产生了重大影响。这两部精美绝伦的印刷艺术品因为水印木刻"饾版"、"拱花"印制技术的成熟使用而闻名遐迩。清代李渔的《芥子园画谱》后,水印木刻技术便逐渐式微,而研究木版水印技艺传承的现状无疑具有重大的历史意义和现实意义。从20世纪80年代开始,出现了大量研究《十竹斋书画谱》的文章,如王伯敏先生的《胡正言及其十竹斋的水印木刻》。到了21世纪的今天,木版水印以何种面貌传承、延续以及题材的变化发展等是该文的探讨主旨。

The later of Ming Dynasty, HU Zheng-yan founded SHIZHUZHAI in Jinling. He was famous as engraving printing published ＂The painting and calligraphy collection of SHIZHUZHAI＂, ＂The letters collection of SHIZHUZHAI＂. They were popular of literati, and also had a major affected to later. The two exquisite works of art was famous because using the technique of woodblockwatermark Printing ＂Dou Edition＂, ＂arch flower＂ skillfully. After ＂The painting collection of JIEZIYUAN＂ of LI Yu in Qing Dynasty,woodblock-watermark technology declined gradually. Now the study of the status of woodblock-watermark heritage skills has great historical and practical significance. From the beginning of the 1980 s, there was large number of research articles about ＂The painting and calligraphy collection of SHIZHUZHAI＂, such as ＂HU Zheng-yan and SHIZHUZHAI＇s woodblock-watermark＂ of Mr. Wang Bomin. To the 21 th century, the features of woodblock-watermark in inheriting change and development, that is the theme of the article to explore.