摘要
卢沟桥事变之后,抗战的需要对文学提出了新的要求,"救亡"的抗战文化规范取代了"五四"以来的"启蒙",文学重新承担起了民族解放和新生的使命。胡风积极响应时代的号召,创办了《七月》这本文艺刊物,并在1944年复刊时更名为《希望》。《七月》与《希望》在抗战期间有效地发挥了"意识战线"的任务,推动了抗战文艺的发展。本文采用史料学研究方法,从时代结构、多样化文体、理论的批判与建构三个方面由表及里,多方面考察分析《七月》和《希望》两个刊物的现实主义精神。
After the Lugouqiao incident, the new requirement was put forward in order to cope with the Anti-Japanese War. The concept"save the nation from extinction"replaced that of"enlightenment", which was proposed during the period of the May 4th Movement. Literature retook up the responsibility of national liberation and rebirth. Actively responding to the call of the time, Hu Feng established the literature and art magazines July,and renamed Hope when it is resumed publication in 1944. July and Hope called up the"ideological front"and helped with the progress of the Anti-Japanese War. This essay analyzes the two magazines from the following three perspectives--epochal structure, various literature forms, theoretic criticism and construction. The analysis develops from the exterior to the interior, studying the realistic spirit from a comprehensive and various aspects.
出处
《西昌学院学报(社会科学版)》
2015年第1期24-27,共4页
Journal of Xichang University:Social Science Edition