边塞与闺情的结合——论纳兰容若边塞词的艺术个性

A Combination of the Frontier and Boudoir Feelings——An Analysis on the Artistic Personality of Nalan Rongruo's Frontier Ci-Poems

纳兰容若边塞词在词史上是独特的存在,塞外风物与闺中情愫的巧妙结合,边塞题材与婉约词性的完美统一,显示了纳兰容若卓绝的艺术个性。这源于其独特的人生经历和对情的特殊体认。纳兰对情的体认和表述,受晚明重情、任情的文学观念的影响,词中在乎的是情的充分表达,而不注重边塞景物的猎奇性描写。纳兰词把闺情的叙写置于边塞词的核心,把边塞景物作为情感表现的背景,从而在传统的边塞词领域开拓出新的气象。

Nalan Rongruo＇ s frontier Ci-poems were unique in the history of ancient Chinese Ci-poetry. He cleverly combined the objects in the frontier with the feelings in the boudoir, and perfectly integrated the themes of the frontier with the subtlety and restraint of Ci-poems, manifesting his excellent artistic personality. Such personality was derived from his unique life experience and special recognition for emotions. He took boudoir feelings as the core of his frontier poems, and used objects of the frontier as the background of his emotional expression, which created a fresh atmosphere in the domain of traditional frontier Ci-poetry.