隐逸特性在恽寿平没骨花鸟画中的体现

The Reflection of Reclusiveness on Yun Shouping's Hidden-Line Flower-and-Bird Paintings

明清鼎革之际,遗民画家恽寿平将其隐逸特性融入到他的没骨花鸟画中,通过对师法临习对象的选择、绘画题材的表现、古淡清丽色调的追求、点染同用笔法的运用等,表现出其幽淡、闲适、清逸的审美意趣,不仅使得日趋衰微的没骨花鸟艺术重放异彩,而且通过绘画诉说着一位遗民知识分子坚守志节又郁郁寡欢的凄凉,不满现状又无力改变的无奈,强调着画家鄙薄世俗的气节。同时对庄子精神的解读,表现出他的宇宙情思与对人生的思考。

At the turn of Ming and Qing dynasties,Yun Shouping,an adherent of Ming dynasty,took his reclusiveness into hidden- line flower- and- bird Paintings,expressing the aesthetic charms with quietness,leisure and ease by choosing copy objects,presenting painting subjects,seeking hues of elegance and applying both dotting and dyeing brushwork,which not only refreshed hidden- line flower- and- bird paintings,but also conveyed dreariness with helplessness and the integrity of an intellectual who despised the secular world. At the same time,the interpretation of Zhuangzi＇ spirits from his paintings reflected his universal emotions and thoughts on life.