摘要
圆美是中国古典艺术创作的最高境界和艺术史上重要的美学范畴。诗文能否周转无穷,流转如弹丸,成为艺术家追求创作形式与技法的重要目标。道与圆在哲学上紧密相联系,由气韵而入圆美,提升了艺术、人生的精神力量,气以一贯,韵以曲柔,二者相互补充,构成了中国古典艺术独特的思维形式。由气至圆、由空到色、由存在到永恒,其导源于以道为本体的宇宙生成论。
Aesthetic circle is the state of art in classical Chinese poetics and artistic creation. Creative forms and techniques being the important goals just as artists pursued. The circulation such as round obiect is based on appreciation and production. Tao and circle closely associated with philosophy which promoted the spirit of artistic life. The circle "flavor" is a kind of structure circle form. Qi and Rhyme constitute the unique thought patterns of Chinese classical artistic creation,not only nothing and existence, but also ex- istence and eternity are all based cosmic generation.
出处
《青海师范大学学报(哲学社会科学版)》
2015年第1期126-129,共4页
Journal of Qinghai Normal University(Philosophy and Social Sciences Edition)
基金
陕西省教育厅2013年度高等学校教学改革研究项目"大学生审美教育课程优化及教学模式改革研究与实践"(13BY105)
关键词
圆美
诗艺
神韵
气
本体论
aesthetic circle
poetry
romantic charm in literature and art
Qi
ontology